


I went with Mari to her hometown of Takatsuki-shi, and it was one of the best things that has happened so far in Japan. She came to meet me at Kandai-mae, and we rode the trains all the way there. Originally, I thought we were just going to go shopping, but as it was a holiday weekend she said everything would be too crowded. So instead, she would take me to her town, and we would go out for lunch with her mother and father and visit a temple. Needless to say, I was not upset by this turn of events. Her father meets us by the station in their car, and he is kind and quiet with that definite shy wisdom that makes me instantly respect a person. He is a teacher of autistic children, and does taiko drumming as well, combining the two in the best kind of teaching. He is very musical, and plays a bamboo flute with beauty and ease, the kind of sound that can only come from wood and humble origins. They take me to a sushi restaurant, where the food is plentiful and delicious. But it is where we go next that speaks to a deeper part of me.
Because I mentioned that I was interested in Japanese literature, we were going to visit the city library (toshokan). Mari's father had offered to check out any books I would like to read for me, as he had a library card. We walk from a parking lot around a pretty little pond that was more welcome because it was not perfectly manicured. Water lillys crowd the space within, glum in their dry summer clothing and shutting down for winter, all save one pink flower that blossoms huge and heavy and fading among the browning leaves. A Willow tree stands in the pond, behind a fountain, and she seems lonely and peaceful as all willows do. We feed the mass of koi in the pond with old bread, and Mari shudders at the sight of the teaming bodies, the wide mouths that dumbly gulp at the water's surface and air, searching for the crumbs of food that fall from above. I ask to take a picture of Mari and her family, and her father seems suddenly uneasy and stiff, and I feel bad, the poor man is so shy! But her mother smiles in the photo with ease, once her blind eyes have been pointed in the direction of the camera.
The toshokan was closed that day, but we venture back to the car and take off again. I am nearly glued to the window, watching the approaching mountains with hunger. I want, more than anything, to go to them. Mari tells her father that I am interested in visiting temples, and we head towards one. I almost don't know how to react to this kindness. How do I express to them how much it means to me that they would go so far out of their way to take a foreigner around their hometown, smiling and explaining to me the names of plants and trees, the colors in the turning seasons, the sound of insects in the night. And how did her father know that this information is exactly what I had been craving, this gentle relationship with nature that is as natural as friendship.
We drive over a hill and enter a beautiful valley that truly takes my breath away. It is not a dramatic scenery, and that is why it warms me so much. It is farmland, honest and simple and something I know well. The green gold of carefully tended, privately owned rice fields makes the valley shine with warmth on an overcast day. The low surrounding mountains lumber in a sleepy, kind sort of way. A river tumbles through, loved and frequented by the citizens. This, my instincts tell me, is part of the real Japan I had been seeking. I found it not in cities and monuments, but in the fields, the products of the land itself.
Up a short, winding road and we reach the temple. The woods are tall and densely green, and quiet. The Japanese cedars stretch elegantly towards the canopy, and below the air is gentle, still. It smells of wood and dirt and rain. Some of the stone monuments and markers within are new, and their sides are smooth and clean. But some seem to rise from the forest floor and are clad in moss and their weathered faces are the ones I smile upon. We walk through the temple complex, and Mari's father continues to point out trees, bushes, flowers, fruits. He does not speak English, so Mari translates for me, but I watch him and listen with rapt attention because I do not need to understand the words to feel some of what he is telling me. We are, after all, speaking a common language with different words. He is talking about nature, and music, and these are things I understand on a deeper level than language.
We climb two flights of stairs to reach a bell. It is large and turning green. Is it copper, iron, brass? I do not know, but its weight is a presence and I tread carefully near it. Mari's father rings the bell first, and the note is deep and louder than I expected, but the volume fades swiftly. The note stays, however, and lingers lower and lower until I am no longer sure if I am hearing it or feeling it or if the air around me is humming back in response. Next I go up, and grasp the thick rope in both hands. One, I swing the log back a space. Two, I pull again, and it moves easily. Three, I pull back and forward again, hitting the bell. It springs to life at the touch and rings with a magnificence that I have rarely heard, not growing up around actual bells, but more often an electrical recording of church bells.
Mari's father says that in America there are many bells, and they might be nicer and larger and newer, but that in Japan you can feel the bells in a different way, and they speak to more than just the air. That bells didn't merely ring, it sang through the rocks and trees and the ground, and it melted slowly down your body until you felt it more than heard it, and continued long after the audible vibrations had died.
After the temple we drive back down into the valley and walk along the river for a short time. Mari's father continues to point out plants and flowers, and I am happy and content with the sound of water falling and the smell of fish and trees and wet things. It was better to visit that lonely temple in the woods, for there were hardly any other people visiting. Temples in Kyoto and Nara might be huge and beautiful, but they are packed with tourists. I suspect I will still go, but I'm glad I got to see this little part of Takatsuki-shi before I ventured to the larger cities. I will go back in the fall, when the trees have begun to change their colors. I will see if I can remember the names of the trees, and the character of the stones, and the smell of incense that lingers around a wishing shrine.












